The Process
We’ve been working diligently and patiently to make sure everything is in place for production.
Locations secured.
Shot list completed.
Camera tests done.
Every step has been intentional—building this story with care from the ground up.
Timeline
Development
Script writing (first draft → current draft)
Revisions / feedback stages
Secured partial funding
Jan - Aug 2025
Pre-Production
Locations secured
Casting completed
Camera testing completed
Storyboard not completed
Rehearsals not completed
All crew not secured
Sept 2025 - July 2026
Production
6 consecutive shooting days
Aug 2026 TBD
Post- Production
Editing
Sound design
Film composing
Color correction
Festival Submission
Sept 2026 TBD
OUR GOAL
After completing All for Her, our focus turns to securing meaningful distribution that allows the film to reach the audience it was made for.
Every step of this process is rooted in intention. This film is being crafted with precision, patience, and deep care for the story ensuring that what we present is not only finished, but fully realized.
Our first goal is to premiere at a prestigious festival, creating a strong introduction for the film and its world. From there, we aim to secure distribution on a streaming platform, giving the story a life beyond its initial release and allowing it to reach audiences on a wider scale.
Meet our Film Composer
Scoring documentaries with Oscar-nominated Shine Global and Milkhaus, plus a new narrative film produced by Adam Pearson, composer Alex Wakim brings bold, interdisciplinary sound design to cinema. His work has been showcased at SXSW, Tribeca, and CIFF.
Based in NYC, Wakim thrives on collaboration. He also loves stargazing, history, and subtly heartbreaking stories - seeing his music as an astrolabe to understand the world. He is developing An American in Beirut, a dark musical-comedy co-written with Mona Mansour about the power of laughter in a violent and mercurial world, as well as The B!tchelorette, an opera about mental health and family.